THEORETICAL BASIS OF ARUZ WEIGHT

Authors

  • Goziyeva Feruza Otakoziyevna Teacher of Fergana Academic Lyceum of the Ministry of Internal Affairs of the Republic of Uzbekistan
  • Sultanov Sardorbek Nomonjon ogli Students of the Faculty of Military Education of Fergana State University
  • Turdimatov Iqrorjon Umarjon Ogli Students of the Faculty of Military Education of Fergana State University

DOI:

https://doi.org/10.17605/OSF.IO/XBT73

Keywords:

Aruz vazni, Alisher Navoi, Bayt, Juzv, Ruknlar, Failun, Failotun, Rhythm, Boghin, Ohang, Bayt

Abstract

The basis of classical poetry of the East is the trinity of sciences. These are the science of desire, the science of poetry, and the science of rhyme. In the history of our literature, these three sciences together are the criterion that defines the subtlety of classical poetry and the potential of the poet. Among them, the science of aruz is relatively complex, and not knowing it well makes it difficult to understand the essence of artistic creations created in classical genres. Therefore, this article is devoted to the analysis of the rules of application weight. The teaching of the theory of aruz is carried out through the work of classical artists, in particular, Alisher Navoi, who is the pinnacle of Uzbek poetry.

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References

Anvar Hojiahmedov. "Fundamentals of Dream Theory". Manual (Tashkent) 2018.

Dilnavoz Yusupova. "Rules of dream weight and bases of classical poetics" Tashkent. 2019

Ziyo-net. Website.

Alisher Navoi, Khazayn ul-Maoniy, 1988.

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Published

2022-03-01

How to Cite

[1]
Goziyeva Feruza Otakoziyevna, Sultanov Sardorbek Nomonjon ogli, and Turdimatov Iqrorjon Umarjon Ogli, “THEORETICAL BASIS OF ARUZ WEIGHT”, IEJRD - International Multidisciplinary Journal, vol. 7, no. 2, p. 4, Mar. 2022.